![]() Frankie, who is visiting from Ohio, is trans at a time before this identity was well understood and has not been treated with kindness or acceptance by his parents. But when 14-year-old Danny-who has matured into the name Daniel-wants more time to himself, Bug learns she will be instead hanging out with 11-year-old Frankie, the nephew of Phillip, her mother’s best friend and their upstairs neighbor. It’s 1987, and 10-year-old Beatrice “Bug” Contreras has a plan: spend her summer months with her brother, Danny, on Venice Beach as she has for the past two years. When Bug’s traditional summer routine is shaken up, her entire life changes. Although the ending feels rushed, with no resolution between Amara and her mom, Amara’s concluding poem is powerful.Ī moving exploration of the places we come from and the people who shape us-not to be missed. Through her all-black cast she seamlessly explores issues of identity, self, and family acceptance. ![]() Watson is a master at character development, with New York City and especially Harlem playing central roles. Harlem proves unlike any place Amara has ever been, and as she explores where her father grew up she experiences black history on every street. In addition to the school project, her mom gives Amara a secret mission: get her dad and grandpa to spend time alone together to repair old wounds. When Amara gets a family-history assignment, she is finally able to convince her mom to say yes to the trip, since it will allow Amara to meet her dad’s side of the family in person. A new baby sister is on the way, her mom still wants to put her in dresses, and that birthday trip from the Portland, Oregon, suburbs to New York City that she so desperately wants feels out of reach. On a birthday trip to New York City, a girl learns about her roots, Harlem, and how to stay true to herself.Įleven-year-old sneakerhead Amara is struggling to feel seen and heard. ![]() ![]() Using a combination of short exchanges of dialogue and frequent wordless reaction shots, the Holms again leverage simply drawn scenes colored by Pien into a loosely autobiographical narrative that is poignant and hilarious in turn and emotionally rich throughout. ![]() Despite such low notes, though, the general trend is upbeat-with Gramps coming up from Florida for a visit, a sisterly, Indian-American teen neighbor named Neela Singh moving in next door (adding some diversity to the otherwise all-white main cast), and a heartening if long-distance thank-you from Dale for the pet rock Sunny gives him at Christmas being particular highlights. The story unfolds in successive episodes of Sunny’s self-conceived The Sunny Show that confront her with domestic challenges ranging from little brother Teddy’s filled diaper (“Something Smells”) to the stormy holiday visit by formerly loving but now angry, troubled big brother Dale, come home from a military-style boarding school (“Six Million Dollar Boy”). The tale is set in the 1976-77 school year and framed by references to TV shows of that era (both contemporaneous and reruns, including The Six Million Dollar Man, The Brady Bunch, and Gilligan’s Island, with amusingly pithy show notes for each). A home-centered sequel to Sunny Side Up (2015), with incidents joyful and otherwise in a middle schooler’s life. ![]()
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